Typography

The Bride of Scripts: Why Urdu Uses Nastaʿlīq

Explore the visual and linguistic allure of Urdu's "hanging" script, Nastaʿlīq. This article delves into why Urdu defies the flat…

5 days ago

Left-to-Right & Vertical: Mongolian’s Writing Orientation

While most of the world writes horizontally, and East Asian scripts traditionally flow vertically from right to left, the traditional…

5 days ago

Stoichedon: The Greek Grid Style of Writing

Discover the "stoichedon" style of Ancient Greece, where inscriptions were carved in perfect, checkerboard-like grids without spaces or punctuation. This…

6 days ago

The Quick Brown Fox: A History of Pangrams

Explore the fascinating linguistic history of pangrams, from the ubiquitous "Quick Brown Fox" to the brain-twisting quest for the perfect…

6 days ago

Ambigrams: When Art Meets Typography

Explore the fascinating intersection of cognitive science and typography through ambigrams—words designed to be read from multiple orientations. This post…

6 days ago

The Hungarumlaut: Mastering the Double Acute Accent (ő, ű)

Hungarian is a typographic rarity, distinguishing itself as one of the only languages to utilize the "double acute" accent (ő,…

6 days ago

Why “Ye Olde” is Actually “The Olde”: The Story of Thorn

Ever wondered why we say "Ye Olde" to sound medieval? It turns out we've been reading it wrong for centuries.…

1 week ago

The Capital “I”: Ego or Typography?

English is the only major language that capitalizes the first-person singular pronoun "I", a quirk that many assume stems from…

1 week ago

A History of Parentheses

We use them every day to add an aside or crack a digital smile, but have you ever wondered where…

2 months ago

Typo Disasters: When Bad Fonts Cost Fortunes

Can a font choice really cost a company millions? From a single misplaced letter that nearly bankrupted a business to…

6 months ago

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